THEA 211 - Scene Study: Realism

2 credit(s)
Delves into the 19th- and 20th-century movements of Realism and Naturalism, with an emphasis on behavior, subtext, environment, and circles of concentration. A method for approaching scenes and identifying psychological actions, based on the theories of Konstantin Stanislavsky, will be developed. Scenes will be drawn from plays by Henrik Ibsen, Anne Charlotte Leffler, August Strindberg, Anton Chekhov, Susan Glaspell, and Rachel Crothers, among other writers. May be repeated for credit.
Offered: Intermittently.

Core Requirement(s): Artistic Practice and Creative Process.
Prerequisite(s): THEA 110 and THEA 112.